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The Phantom of the Opera
Author: Gaston Leroux
Publisher: BookRix
ISBN: 3736807007
Pages: 335
Year: 2018-10-17
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The Phantom of the Opera is a novel by French writer Gaston Leroux. Christine Daaé travels with her father, a famous fiddler, throughout Europe, and plays folk and religious music. When Christine was six years old, her mother died and her father was taken to rural France by a patron, Professor Valerius. While Christine was a child, her father told her many stories about the "Angel of Music", who is the personification of musical inspiration. Christine meets and befriends the young Raoul, Viscount of Chagny. One of Christine and Raoul's favourite stories is one of Little Lotte, a girl who is visited by the Angel of Music and possesses a heavenly voice. Christine now lives with "Mamma" Valerius, the elderly widow of her father's benefactor. She eventually is given a position in the chorus at the Paris Opera House (Palais Garnier). She begins hearing a beautiful, unearthly voice which sings to her and speaks to her. She believes this must be the Angel of Music and asks him if he is. The Voice agrees and offers to teach her "a little bit of heaven's music". The Voice, however, belongs to Erik, a physically deformed and mentally disturbed musical genius who was one of the architects who took part in the construction of the opera house. He is in love with Christine.
Le Fantôme de L'opéra
Author: Paulette Collet, Gaston Leroux, Milani, Frank
Publisher: Mississauga, Ont. : Copp Clark Pitman
ISBN: 0773050426
Pages: 145
Year: 1991
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The Phantom of the Opera
Author: Gaston Leroux, Caitlin G. Freeman
Publisher: CreateSpace
ISBN: 1494798433
Pages: 44
Year: 2014-01-25
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On September 23, 1909, the Parisian daily newspaper, Le Gaulois, published its first installment of Gaston Leroux's Le Fantôme de l'Opéra (The Phantom of the Opera). This type of serialized publication, in France called a “feuilleton,” was common from the middle of the 19th century through the beginning of the 20th century. Many authors of the day published their novels section by section in newspapers to gain readership and to work out ideas before the publication of the first edition. Between the newspaper printing and the first edition, it was common for chapters to be added, rewritten, or removed as part of the editing process. In the feuilleton of Le Fantôme de l'Opéra, Gaston Leroux wrote a chapter called “L'enveloppe magique” (“The Magic Envelope”). Leroux decided to omit this chapter from his first edition, and so it only appeared in Le Gaulois. Since the feuilleton has never been translated, few people apart from the most dedicated Phantom enthusiasts are familiar with this lost chapter. For the first time, the text of “The Magic Envelope” has been translated into English so that fans of The Phantom of the Opera can read this forgotten gem. This chapter provides explanations for several enigmas that have puzzled readers since Leroux's first edition, and it offers a fascinating glimpse into the writing process of one of France's literary icons.
Classic Literary Adaptations, Le Fantôme de l'Opéra'
Author: Gaston Leroux
Publisher: Glencoe/McGraw-Hill
Pages: 152
Year: 1992-01
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Le Fantôme de l?Opéra (Leroux) is an adaptation that captures the meaning and mood of the original 1910 Gaston Leroux novel and includes all major scenes.
Publisher: Llumina Press
ISBN: 1605948454
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Babar and the Ghost
Author: Laurent de Brunhoff
Publisher: Harry N Abrams Inc
Pages: 40
Year: 2001-09-01
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The friendly ghost of the Black Castle follows Babar the elephant, along with his family and friends, back to Celesteville to spend some time with them.
The Mystery of the Yellow Room
Author: Gaston Leroux
Publisher: Courier Corporation
ISBN: 0486449289
Pages: 175
Year: 2006
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How could a crime take place in a locked room which shows no sign of being entered? Leroux's landmark tale of foul play and deception remains a blueprint for the detective novel genre.
French B: IB Skills and Practice
Author: Ann Abrioux, Pascale Chretien, Nathalie Fayaud
Publisher: OUP Oxford
ISBN: 0198390076
Pages: 208
Year: 2012-08-09
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Written by experienced French B teachers and workshop leaders and designed to solidify all the skills central to IB assessment, this focused study tool comprehensively matches the 2011 syllabus. Packed with targeted skills development exercises and with thorough insight into exam structure, it supports exceptional achievement.
Horror and Mystery Photoplay Editions and Magazine Fictionizations, Volume II
Author: Thomas Mann
Publisher: BearManor Media
Year: 2016-07-31
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Photoplay editions were novels that were based on new movies and released as a promotional tie-in with the movie’s release. They were often illustrated with photos from the movies. First published around 1912, they were in widest circulation during the 1920s and 1930s, and continue to be written and released today. Comparable short story versions frequently appeared in popular movie magazines, In Thomas Mann’s second volume, hundreds of additional Photoplay editions and short stories of films are analyzed. Discover how many Photoplay editions were based on advance copies of scripts and contain scenes that were later deleted. As cultural artifacts of bygone eras, novels and short stories based on films that are now lost are often the only surviving record. For example, the previously unknown short story version of Lon Chaney’s lost film, A Blind Bargain (1923) is reprinted here for the first time. Listed are multiple story versions of films that featured Boris Karloff, Bela Lugosi, Lon Chaney Sr. and Lon Chaney Jr, and Peter Lorre, and supporting players from obscure mysteries featuring Robert Armstrong, Lionel Atwill, Ricardo Cortez, Frances Drake, Sir Cedric Hardwicke, J. Carroll Naish, Marjorie Williams, George Zucco, and many others. Several Alfred Hitchcock book editions are also cataloged. Other film book editions chronicled include: The Adventures of Kathlyn Bride of Frankenstein The Creature from the Black Lagoon Day of the Triffids Doctor X Flash Gordon The Ghost Breakers Invasion of the Body Snatchers The Invisible Man It Came from Outer Space King Kong and Son of Kong Laura The Legend of Hell House London After Midnight The Lost World The Mask of Fu Manchu Meet Nero Wolfe Mighty Joe Young Murders in the Rue Morgue North by Northwest Reptilicus She Things to Come The Verdict Vertigo White Zombie The Wolf Man Multiple stories that tie in to a variety of screen sleuths are also listed: Arsene Lupin, Bulldog Drummond, Charlie Chan, The Falcon, Lone Wolf, Hildegarde Withers, Nancy Drew, Nick Carter, Perry Mason, Philo Vance, The Saint, The Thin Man, Torchy Blane, and Mr. Wong. Thomas Mann is an independent scholar living in Washington, D.C., where he spent over three decades as a general reference librarian in the Main Reading Room of the Library of Congress. He is the author of The Oxford Guide to Library Research (Oxford University Press, 2015).
The Phantom of the Opera
Author: Amaury, Marc (CRT) Demais
Publisher: Abrams Books for Young Readers
ISBN: 1419720864
Pages: 40
Year: 2016-03-08
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Since starting ballet classes at the Paris Opera, Meg has explored every nook and cranny of the majestic, mysterious building, places where she is allowed to go . . . and places where she isn't! In one of these forbidden passages, she meets the Phantom of the Opera, a mysterious figure who is sobbing his heart out. He is in love with Christine, an opera singer--but she is about to marry her fiancé, Raoul! One evening, Christine mysteriously disappears. Meg is hot on the trail. Revisiting the famous novel by Gaston Leroux, this faithful adaptation retells the story for a young audience in beautiful illustrations, and includes a 30-minute CD on which the story is read aloud, accompanied by original music.
Bien vu, bien dit: Intermediate French
Author: Carmen Grace, Ann Williams, Christian Roche
Publisher: McGraw-Hill Education
ISBN: 0072897597
Pages: 496
Year: 2007-01-10
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This innovative film-based program is designed to motivate and inspire intermediate French students. Based on the French film Le Chemin du retour, Bien vu, bien dit is a completely integrated program for intermediate French. Each chapter of Bien vu, bien dit, the textbook, is correlated to an episode of the film. The textbook prepares students for the film-viewing experience through the chapter vocabulary presentations and activities and through additional pre- and post-viewing activities. The vocabulary and grammar presentations, as well as the activities, recycle and expand on the dialogue and structures presented in the film. Pair and small-group activities enable students to talk about the characters in the story and their own lives. The cultural content of the film is also explored in cultural notes and readings in each chapter. Le Chemin du retour, the film, is an engaging story about a young French journalist, Camille Leclair, and her pursuit of the truth about her grandfather’s past. Through Camille’s quest, students are introduced to many facets of today’s French and Francophone cultures, as well as to important historical events in France. They learn language in the functional context provided by the film, and concepts are reinforced by onscreen activities that help students verify their comprehension. The feature-length film (102 minutes) is divided into twelve episodes, and each episode includes onscreen pre- and post-viewing activities that make the film more accessible to students, on both a linguistic and cultural level. Episodes are approximately fifteen to twenty minutes in length and correspond to the chapters in the textbook. Three and a half hours of viewing allow intermediate students to explore the richness of French language and culture. By hearing French spoken with a variety of accents and at different speeds in the film, students will gain confidence in their ability to understood authentic, spoken French.
Le Fantôme de l'Opéra - Niveau 4/B2 - Lectures CLE en Français Facile - Ebook
Author: Gaston Leroux
Publisher: Clé International
ISBN: 2090376376
Pages: 64
Year: 2018-06-26
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Version E-Book de lecture graduée de la collection Lecture CLE en français facile destinée aux adolescents et adultes étudiant le français langue étrangère (FLE), niveau 4 (B2). Le fantôme de l'opéra Une ombre rôde dans l'Opéra. Un machiniste est retrouvé pendu, un grand lustre se détache en pleine représentation, on parle du fantôme de la loge n°5... Ce fantôme effrayant n'est pas une légende : des gens affirment l'avoir vu hanter les coulisses de l'Opéra. Il porte un costume noir et a une tête de mort à la place du visage. Mais le spectacle doit continuer...
Le Gothic
Author: Avril Horner
Publisher: Springer
ISBN: 0230582818
Pages: 248
Year: 2008-02-22
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This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form.
La Civilisation de l'opéra
Author: Timothée Picard
Publisher: Fayard
ISBN: 2213684421
Pages: 760
Year: 2016-02-03
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L’opéra, fait de civilisation majeur dans nos sociétés, est étudié à travers le prisme de ce que Walter Benjamin a appelé l’« un des grands romans sur le xixe siècle » : Le Fantôme de l’Opéra de Gaston Leroux. De multiples adaptations cinématographiques mêlent grandioses réalisations de studios (Universal, Hammer) et films d’auteur cultes (Brian de Palma, Dario Argento), au risque du kitsch. La comédie musicale d’Andrew Lloyd Webber pulvérise tous les records d’audience et de longévité, parachevant un mythe. Quelles conceptions de l’opéra se fait-on et quelles représentations en donne-t-on quand on passe du roman à son illustration, du cinéma à la comédie musicale et du ballet à la fan fiction ? Mais aussi du grand répertoire lyrique au rock ou au heavy metal, de la féerie à l’horreur, des adultes aux adolescents, des hommes aux femmes, d’un siècle à l’autre ? Ou encore de la France aux États-Unis et à la Chine, et de la Grande-Bretagne à l’Italie et à l’Amérique du Sud ? Cet essai interroge le devenir du divertissement en Occident, de l’essor du spectaculaire romantique au triomphe de l’industrie culturelle mondialisée. Il montre que si l’opéra comme genre et pratique semble s’effacer peu à peu, son esprit perdure sous d’autres formes et par d’autres moyens : l’opéra et ses succédanés prennent en charge des aspirations dont l’homme ne peut se passer et dont eux seuls ont la clef. Plus largement, cet ouvrage s’attache à ce que Nietzsche a nommé la « civilisation de l’opéra » et dont le Palais Garnier, quintessence de « Paris, capitale du xixe siècle » et de la culture bourgeoise à son âge d’or, apparaît comme la figure de proue. S’appuyant sur les sources les plus diverses, il parcourt tout l’édifice de son imaginaire pour identifier dans le couple formé par l’Opéra fabuleux et son Fantôme monstrueux l’allégorie d’une modernité équivoque. Il traite enfin de notre rapport à cette civilisation, fantôme étonnamment vivace des cultures et sociétés contemporaines. Timothée Picard est professeur de littérature générale et comparée à l’Université de Rennes et membre de l’Institut universitaire de France. Il est spécialiste des conceptions et représentations de la musique à travers la littérature, les arts et l’histoire des idées – domaine auquel il a consacré de nombreux ouvrages souvent récompensés.
Author: Gaston Leroux
Publisher: SCB Distributors
ISBN: 1908694319
Year: 2013-07-30
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Written in 1911 by Gaston Leroux, the author renowned for such mysteries as The Perfume Of The Lady In Black and The Phantom Of The Opera, BALAOO is the extraordinary black fable of a pithecanthrope, or monkey-man, created by a scientist and raised as human in a small French village. Unfortunately Balaoo, the creature in question, is endowed with immense strength and a ferocious temper, which leads him to murder and an eventual chase by police over the rooftops of Paris. BALAOO has been filmed several times, first by Victorin-Hippolyte Jasset in 1913, and later as The Wizard (1927) and Dr. Renault's Secret (1942).