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Le Grand Diable
Author: Francesca Diotallevi
Publisher: Neri Pozza Editore
ISBN: 8854513415
Pages: 38
Year: 2016-04-06T00:00:00+02:00
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Con questo racconto Francesca Diotallevi conduce il lettore nel mondo del suo romanzo Dentro soffia il vento. In Valle d’Aosta, alla vigilia della Prima guerra mondiale, Fiamma vive appartata in un capanno tra i boschi e la comunità di Saint Rhémy, dove tutti la considerano una sorta di strega. Tutti, tranne il giovane Raphaël Rosset, che sente crescere per quella ragazza solitaria e dai capelli rossi un’irresistibile attrazione. Yann, suo fratello, tenta in tutti i modi di proteggerlo da quello che appare, ai suoi occhi, come un vero e proprio sortilegio e di salvaguardarlo dall’ira del padre. Partiti per una battuta di caccia guidata dal padre, in quei boschi che tutti ritengono abitati da streghe, i giovani fratelli scopriranno però di non essere così diversi...
Lords of the North
Author: Agnes Christina Laut
Publisher: New York : J.F. Taylor
Pages: 442
Year: 1900
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The wilderness was tamed by women as well as men. Three women, Miriam Hamilton, abducted by Le Grand Diable, his Indian wife, and Frances Sutherland, a white settler's daughter, are drawn together on the northern Canada frontier.
Home Ground and Foreign Territory
Author: Janice Fiamengo
Publisher: University of Ottawa Press
ISBN: 0776621408
Pages: 308
Year: 2014-04-03
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Home Ground and Foreign Territory is an original collection of essays on early Canadian literature in English. Aiming to be both provocative and scholarly, it encompasses a variety of (sometimes opposing) perspectives, subjects, and methods, with the aim of reassessing the field, unearthing neglected texts, and proposing new approaches to canonical authors. Renowned experts in early Canadian literary studies, including D.M.R. Bentley, Mary Jane Edwards, and Carole Gerson, join emerging scholars in a collection distinguished by its clarity of argument and breadth of reference. Together, the essays offer bold and informative contributions to the study of this dynamic literature. Home Ground and Foreign Territory reaches out far beyond the scope of early Canadian literature. Its multi-disciplinary approach innovates literal studies and appeals to literature specialists and general readership alike.
50 Canadian Writers
Author: Golgotha Press
Publisher: BookCaps Study Guides
ISBN: 1610425928
Year: 2011
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An anthology of 50 classic Canadian authors with an active table of contents to make it easy to quickly find the book you are looking for. Works Include: An Algonquin Maiden by G. Mercer Adam All Afloat by William Wood Anne of Green Gables by Lucy Maud Montgomery Arcadian Adventures With the Idle Rich by Stephen Leacock The Backwoods of Canada by Catharine Parr Traill The Backwoodsmen by Charles G. D. Roberts Blake's Burden by Harold Bindloss The Buccaneer Farmer by Harold Bindloss Canada for Gentlemen by James Seton Cockburn A Canadian Bankclerk by J. P. Buschlen The Canadian Dominion by Oscard Skelton Canadian Wonder Tales by Cyrus Macmillan Canoe Mates in Canada by St. George Rathborne The Cariboo Trail by Agnes C. Laut Carnac's Folly by Gilbert Parker The Cattle-Baron's Daughter by Harold Bindloss The Clockmaker by Thomas Chandler Haliburton Crumps The Plain Story of a Canadian Who Went by Louis Keene The Day of Sir John Macdonald by Joseph Pope Dick's Desertion by Marjorie L. C. Pickthall Firesides of French Canada by Mary Wilson Alloway Fathers of Confederation by A. H. U. Colquhoun LaChance Mine Mystery by Susan Carleton Jones A Study in Canadian Politics by J. W. Dafoe Legends of Vancouver by E. Pauline Johnson Lords of the North by A.C. Laut Brave and Gallant Gentleman by Robert Watson On The Firing Line by Anna Chapin Ray and Hamilton Brock Fuller Over Prairie Trails by Frederick Philip Grove The Great Plains by Lawrence J. Burpee The 'Patriotes' of '37 by Alfred D. Decelles The Pacific Coast by Agnes C. Laut Prescott of Saskatchewan by Harold Bindloss The Railway Builders by Oscar D. Skelton Raw Gold by Bertrand W. Sinclair The Red River Colony by Louis Aubrey Wood The Seigneurs of Old Canada:A Chronicle of New-World Feudalism by William Bennett Munro The Silver Maple by Marian Keith Stranded in Arcady by Francis Lynde A Strange Manuscript Found in a Copper Cylinder by James De Mille Sunshine Sketches of a Little Town by Stephen Leacock Thirty Indian Legends by Margaret Bemister The Tribune of Nova Scotia by W. L. Grant White Narcissus by Raymond Knister Wild Animals I Have Known by Ernest Thompson Seton Wild Youth by Gilbert Parker Winston of the Prairie by Harold Bindloss The Young Crusoe by Barbara Hofland The Yukon Trail by William MacLeod Raine The Harbor Master by Theodore Goodridge Roberts DISCLAIMER: There has been concern about the table of contents (or lack thereof) in the ""50 Classic Books"" Series. Golgotha Press has addressed this problem and readers who download the books as of November 2011 can access a functional table of contents by going to the front of the book and paging forward two pages. Because of the size of this book, the ""active"" feature in the conversion is removed. We are trying resolve this problem, but until then, please follow the steps above. If you still experience the problem, please contact us so we can investigate exactly what is happening. Please note, however, that the table of contents does not become active until you purchase the book--preview mode does not currently support active TOC's. We apologize for any confusion or frustration this has caused.
Lire, imaginer, composer Practice Book
Author: Sheila Barbour
Publisher: Cambridge University Press
ISBN: 0956543111
Pages: 152
Year: 2010-07-15
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A French language textbook to encourage creativity in interaction, discussion, role play and writing. A lively and innovative approach gets students reading complete stories in French quickly; encourages creativity in discussion, role play and writing; and explores topics central to the IB Language B syllabus and to the UK AS and A2 specifications. This title provides a wide range of activities which can lead to differentiated outcomes, allowing students to work at their own level and offers insight into life in francophone countries. Full teacher's notes and photocopiable students' worksheets are supplied for each exercise.
Argot and Slang
Author: Albert Barrère
Publisher: London : Privately printed at the Chiswick Press by C. Whittingham
Pages: 495
Year: 1887
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The Literary Panorama
Year: 1811
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Folk-lore of the Antilles, French and English ...
Author: Elsie Worthington Clews Parsons
Year: 1936
View: 980
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The Monthly Masks, of Vocal Musick,
Year: 1707
View: 609
Read: 226

Memoirs of the American Folk-lore Society
Year: 1933
View: 548
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The history of Lewis xi. king of France. Transl
Author: Charles Pinot Duclos
Year: 1746
View: 1299
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The Modern History of England
Year: 1827
View: 181
Read: 835

The Works of Moliere, French and English
Author: Molière
Year: 1755
View: 618
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Lexique de la langue de Molière comparée à celle des écrivains de son temps
Author: Charles-Louis Livet
Year: 1896
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Meyerbeer’s Robert le Diable
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443845515
Pages: 240
Year: 2014-03-17
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Robert le Diable by Giacomo Meyerbeer is regarded as a musical milestone, a definitive statement in the 19th-century development of French grand opéra from the tragédie lyrique of Lully, Rameau, Gluck and Spontini. The libretto by Eugène Scribe and Germain Delavigne was derived from the medieval legend of “Robert the Devil”. First performed on 21 November 1831 at the Paris Opéra, the work brought Meyerbeer international celebrity. Robert le Diable remains a legend in the annals of opera. The fascinating story reveals a complex imagery and symbolism that touches on the deepest intuitions of human experience and personal development, and exercises an archetypal unconscious appeal akin to the nature of fairy tales. The musical language, richly melodic and theatrically powerful, looks back to Rossini and the traditions of bel canto, and yet forges a new formal pliancy and dramatic urgency. The harmony and orchestration, the melodramatic plot, and overwhelming stage effects (especially the famous act 3 Ballet of the Nuns, a touchstone of dark Romanticism) confirmed Meyerbeer as the leading opera composer of his age. His style fuses German counterpoint, Italian melody, French grandeur, and unprecedented orchestral riches in a unique and overwhelming artistic blend. Robert became one of the greatest successes in the history of opera. In the first two years of its history it was given in 69 different theatres, and was performed 754 times at the Paris Opéra until 1893. This huge success was reflected in more than 160 transcriptions, arrangements, paraphrases and fantasias for the orchestra, military band, dance band, piano and other solo instruments written between 1832 and 1955. After many years of neglect, there is a resurgence of interest in this work with its fascinating appeal. This book is devoted to the story of this exceptional opera. It traces the origins, the première, the performance history, and also considers the special characteristics of both the libretto and the music. One of the most intriguing aspects of Robert le Diable was the nature of the iconography generated by its most famous scenes. Artists and illustrators responded in many different ways to the Gambling Scene, the Scene at the Cross, the Cloister Scene for the legendary Ballet of the Nuns, and the great trio in act 5. All of these are examined in terms of the the many different pictorial and plastic responses they inspired over some 60 years.