Lillusione Difficile Cinema E Serie Tv Nelleta Della Disillusione Studi Bompiani Book PDF, EPUB Download & Read Online Free

L'illusione difficile
Author: Federico Di Chio
Publisher: Giunti
ISBN: 8858760239
Pages: 320
Year: 2013-06-07T00:00:00+02:00
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Illusione è vedere un mondo al posto delle semplici immagini sullo schermo: sentirsi dentro di esso, partecipare a ciò che vi accade, condividere prospettive ed emozioni con i soggetti che vi abitano, in una condizione intermedia tra abbandono e presenza di sé, adesione e consapevolezza. Illusione è vivere un’esperienza, dunque: vicaria, proiettiva, immaginaria; e tuttavia reale, diretta, personale, al punto che da essa traiamo non solo piacere, ma anche risorse simboliche importanti per la costruzione della nostra identità. Da oltre ottant’anni questa esperienza è il cuore dello spettacolo moderno: attraversando gran parte della produzione cinematografica e televisiva, essa si è progressivamente rinnovata nelle forme, adattandosi allo spirito dei tempi; ma ha conservato la propria natura e ha mantenuto un’assoluta centralità nelle pratiche della produzione culturale e nelle diete mediali degli spettatori. Il volume, seguendo l’evoluzione dell’illusione dal cinema classico americano fino alle serie tv contemporanee, analizza le strategie testuali e le forme di fruizione che la caratterizzano, con le persistenze, ma anche le più significative mutazioni. Inoltre, si interroga sul ruolo che l’illusione può avere oggi, a fronte delle trasformazioni apportate dalle tecnologie e dai media digitali e, più in generale, in ragione dei cambiamenti culturali introdotti dalla mentalità postmoderna. Il percorso, che si snoda tra riflessione teorica, analisi di testi ed esperienza professionale, è arricchito da preziosi contributi di Dario Argento, Bernardo Bertolucci, Gabriele Muccino, Ferzan Ozpetek, Ettore Scola e Giuseppe Tornatore.
Why We Love Sociopaths
Author: Adam Kotsko
Publisher: John Hunt Publishing
ISBN: 1780990928
Pages: 107
Year: 2012-04-27
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Sociopaths are pervasive in contemporary television, from high-brow drama all the way down to cartoons -- and of course the news as well. From the scheming Eric Cartman of South Parkto the seductive imposter Don Draper of Mad Men, cold and ruthless characters captivate us, making us wish that we could be so effective and successful. Yet why should we admire characters who get ahead by being amoral and uncaring? In his follow-up to Awkwardness, Adam Kotsko argues that the popularity of the ruthless sociopath reflects our dissatisfaction with a failed social contract, showing that we believe that the world rewards the evil and uncaring rather than the good. By analyzing characters like the serial killer star of Dexter and the cynical Dr. House, Kotsko shows that the fantasy of the sociopath distracts us from our real problems -- but that we still might benefit from being a little more sociopathic.
Communicative Negotiation in Cinema and Television
Author: Francesco Casetti
Publisher: Vita e Pensiero
ISBN: 8834309766
Pages: 70
Year: 2002
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The Revolution Was Televised
Author: Alan Sepinwall
Publisher: Simon and Schuster
ISBN: 1476739684
Pages: 400
Year: 2013-02-19
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A phenomenal account, newly updated, of how twelve innovative television dramas transformed the medium and the culture at large, featuring Sepinwall’s take on the finales of Mad Men and Breaking Bad. In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes. Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these groundbreaking shows, The Revolution Was Televised is the story of a new golden age in TV, one that’s as rich with drama and thrills as the very shows themselves.
Archives in Human Pain
Author: Alice Cati, Vicente Sanchez-Biosca
ISBN: 886977046X
Pages: 174
Year: 2016-01-31
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House of Horrors Boxed Set: Welcome to dead house
Author: R. L. Stine
ISBN: 0439568323
Year: 1992
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Author: Adriano D'Aloia, Ruggero Eugeni
ISBN: 8869770222
Pages: 214
Year: 2015-07-31
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Neurofilmology. audiovisual Studies and the challenge of Neuroscience Adriano d'Aloia and ruggero Eugeni, Neurofilmology: An Introduction Temenuga Trifonova, Neuroaesthetics and Neurocinematics: Reading the Brain/Film through the Film/Brain Maria Poulaki, Neurocinematics and the Discourse of Control: Towards a Critical Neurofilmology Patricia Pisters, Dexter's Plastic Brain: Mentalizing and Mirroring in Cinematic Empathy Enrico Carocci, First-Person Emotions: Affective Neuroscience and the Spectator's Self Maarten Coegnarts and Peter kravanja, The Sensory-Motor Grounding of Abstract Concepts in Two Films by Stanley Kubrick Pia Tikka and Mauri kaipainen, Phenomenological Considerations on Time Consciousness under Neurocinematic Search Light vittorio Gallese and Michele Guerra, The Feeling of Motion: Ca-mera Movements and Motor Cognition New Studies olivier Asselin, Cinema d'exposition 2.0: Mixed-Reality Games in and around the Museum livia Giunti, L'analyse du film a l'ere numerique. Annotation, geste analytique et lecture active Christian Gosvig olesen, Panoramic Visions of the Archive in EYE's Panorama: A Case Study in Digital Film Historiography francesco Pitassio, Distant Voices, Still Cinema? Around the Movies projects & abstracts reviews / comptes-rendus
In Excess
Author: Masha Salazkina
Publisher: University of Chicago Press
ISBN: 0226734161
Pages: 232
Year: 2009-08-01
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During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.
Moralizing Cinema
Author: Daniel Biltereyst, Daniela Treveri Gennari
Publisher: Routledge
ISBN: 1134668317
Pages: 296
Year: 2014-11-20
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This volume is part of the recent interest in the study of religion and popular media culture (cinema in particular), but it strongly differs from most of this work in this maturing discipline. Contrary to most other edited volumes and monographs on film and religion, Moralizing Cinema will not focus upon films (cf. the representation of biblical figures, religious themes in films, the fidelity question in movies), but rather look beyond the film text, content or aesthetics, by concentrating on the cinema-related actions, strategies and policies developed by the Catholic Church and Catholic organizations in order to influence cinema. Whereas the key role of Catholics in cinema has been well studied in the USA (cf. literature on the Legion of Decency and on the Catholic influenced Production Code Administration), the issue remains unexplored for other parts of the world. The book includes case studies on Argentina, Belgium, France, Ireland, Italy, Luxemburg, the Netherlands, and the USA.
Author: Rick Altman, British Film Institute
Publisher: British Film Institute
ISBN: 0851707181
Pages: 246
Year: 1999-03-01
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Film/Genre radically revises our notions. It is the first book to fully connect the roles played by industry critics and audiences in making and re-making genre. In a critiques of major voices in the history of genre theory from Aristotle to Wittgenstein, Rick Altman reveals the conflicting stakes for which the genre game has been played. Recognizing that the very term "genre" has different meanings for different groups, he bases his new genre theory on the uneasy competitive yet complimentary relationship among genre users and discusses a huge range of films from The Great Train Robbery to Star Wars and from The Jazz Singer to The Player. Film/Genre radically revises our notions. It is the first book to fully connect the roles played by industry critics and audiences in making and re-making genre. In a critiques of major voices in the history of genre theory from Aristotle to Wittgenstein, Rick Altman reveals the conflicting stakes for which the genre game has been played. Recognizing that the very term "genre" has different meanings for different groups, he bases his new genre theory on the uneasy competitive yet complimentary relationship among genre users and discusses a huge range of films from The Great Train Robbery to Star Wars and from The Jazz Singer to The Player.
Author: George Frederick Custen
Publisher: Rutgers University Press
ISBN: 0813517559
Pages: 304
Year: 1992
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Enhanced by charts, appendixes, notes, and references to approximately 300 movies from 1927 to 1960 (with additional material on the biopics' absorption by contemporary television), this volume analyzes biographical film production, distribution, and exhibition under the constraints of censorship, libel law, producer proclivities, and casting. Custen (communications, CUNY) explains why biographies of entertainers proliferated after World War II, how studio moguls fostered biographical narratives similar to their own rags-to-riches stories, and to what extent research departments affected veracity. A good addition to a scant literature that includes Michael Pitts's Hollywood and American History (McFarland & Co., 1984) and George MacDonald Fraser's The Hollywood History of the World ( LJ 9/15/88). Essential for comprehensive film collections. Movie Entertainment Book Club selection. "Helps us to understand how Hollywood films shaped public consciousness about the past by constructing a very specific, ideologically charged version of that past. . . . A fresh and important contribution to film history and cultural studies."--Daniel Czitrom, Mount Holyoke College Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession.Utilizing a carefully selected sample of over 100 films produced during the Studio Era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by difference sources. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of biopic alive, even into the age of the made-for-TV movie.
Show Sold Separately
Author: Jonathan Gray
Publisher: NYU Press
ISBN: 0814732348
Pages: 256
Year: 2010-01-01
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It is virtually impossible to watch a movie or TV show without preconceived notions because of the hype that precedes them, while a host of media extensions guarantees them a life long past their air dates. An onslaught of information from print media, trailers, internet discussion, merchandising, podcasts, and guerilla marketing, we generally know something about upcoming movies and TV shows well before they are even released or aired. The extras, or “paratexts,” that surround viewing experiences are far from peripheral, shaping our understanding of them and informing our decisions about what to watch or not watch and even how to watch before we even sit down for a show. Show Sold Separately gives critical attention to this ubiquitous but often overlooked phenomenon, examining paratexts like DVD bonus materials for The Lord of the Rings, spoilers for Lost, the opening credits of The Simpsons, Star Wars actions figures, press reviews for Friday Night Lights, the framing of Batman Begins, the videogame of The Thing, and the trailers for The Sweet Hereafter. Plucking these extra materials from the wings and giving them the spotlight they deserve, Jonathan Gray examines the world of film and television that exists before and after the show.
Convergence Culture
Author: Henry Jenkins
Publisher: NYU Press
ISBN: 0814742955
Pages: 353
Year: 2006
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“What the future fortunes of [Gramsci’s] writings will be, we cannot know. However, his permanence is already sufficiently sure, and justifies the historical study of his international reception. The present collection of studies is an indispensable foundation for this.” —Eric Hobsbawm, from the preface Antonio Gramsci is a giant of Marxian thought and one of the world's greatest cultural critics. Antonio A. Santucci is perhaps the world's preeminent Gramsci scholar. Monthly Review Press is proud to publish, for the first time in English, Santucci’s masterful intellectual biography of the great Sardinian scholar and revolutionary. Gramscian terms such as “civil society” and “hegemony” are much used in everyday political discourse. Santucci warns us, however, that these words have been appropriated by both radicals and conservatives for contemporary and often self-serving ends that often have nothing to do with Gramsci’s purposes in developing them. Rather what we must do, and what Santucci illustrates time and again in his dissection of Gramsci’s writings, is absorb Gramsci’s methods. These can be summed up as the suspicion of “grand explanatory schemes,” the unity of theory and practice, and a focus on the details of everyday life. With respect to the last of these, Joseph Buttigieg says in his Nota: “Gramsci did not set out to explain historical reality armed with some full-fledged concept, such as hegemony; rather, he examined the minutiae of concrete social, economic, cultural, and political relations as they are lived in by individuals in their specific historical circumstances and, gradually, he acquired an increasingly complex understanding of how hegemony operates in many diverse ways and under many aspects within the capillaries of society.” The rigor of Santucci’s examination of Gramsci’s life and work matches that of the seminal thought of the master himself. Readers will be enlightened and inspired by every page.
The Old Man and the Sea
Author: Ernest Miller Hemingway
Publisher: Al Manhal
Pages: 84
Year: 2007-01-01
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This is an Egyptian edition of one of the most internationally celebrated works of fiction, Hemingway’s The old Man and the Sea. A Pulitzer-award and - Noble-prize winner, this work has cer- tainly become so extensively known all over the world, receiving a myriad of critical studies and translations. Hemingway himself could have never imagined such a sweeping success for his novel- la, devised while temporarily staying (for a few weeks) at a fishing village in Cuba. It is not simply the story of a big fish catch, but it is the story of a touching human relationship between old age and younghood, not to mention its highly philosophical message that it carries. All this, apart from other equally significant factors, makes Hemingway’s work worth reading and contemplating.
Safari Honeymoon
Author: Jesse Jacobs
ISBN: 1927668042
Pages: 80
Year: 2014-06-03
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A pair of newlyweds honeymoon in a truly exotic location as they delve deep into a mysterious forest and themselves.