Listening And Voice Phenomenologies Of Sound Second Edition.php Book PDF, EPUB Download & Read Online Free

Listening and Voice
Author: Don Ihde
Publisher: SUNY Press
ISBN: 0791472566
Pages: 276
Year: 2007-10-04
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New and expanded edition of the now classic study in the phenomenology of sound.
Auditory Archaeology
Author: Steve Mills
Publisher: Routledge
ISBN: 1315433400
Pages: 324
Year: 2016-06-16
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Auditory archaeology considers the potential contribution of everyday, mundane and unintentional sounds in the past and how these may have been significant to people. Steve Mills explores ways of examining evidence to identify intentionality with respect to the use of sound, drawing on perception psychology as well as soundscape and landscape studies of various kinds. His methodology provides a flexible and widely applicable set of elements that can be adapted for use in a broad range of archaeological and heritage contexts. The outputs of this research form the case studies of the Teleorman River Valley in Romania, Çatalhöyük in Turkey, and West Penwith, a historical site in the UK.This fascinating volume will help archaeologists and others studying human sensory experiences in the past and present.
Musicians and their Audiences
Author: Ioannis Tsioulakis, Elina Hytönen-Ng
Publisher: Taylor & Francis
ISBN: 1317091302
Pages: 226
Year: 2016-12-19
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How do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.
The Transcultural Turn
Author: Lucy Bond, Jessica Rapson
Publisher: Walter de Gruyter
ISBN: 3110370751
Pages: 285
Year: 2014-04-01
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Transculturalism has emerged as one of the most debated and diverse discourses of the interdisciplinary field of memory studies. Analysing the complex ways in which representations of the past travel between and beyond borders in an increasingly globalized present, this edited collection considers some of the most important developments within memory studies across a variety of cultural and historical contexts from the Holocaust to 9/11.
The Sounding Object
Author: Davide Rocchesso, Federico Fontana
Publisher: Mondo Estremo
ISBN: 8890112603
Pages: 399
Year: 2003
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Sonic Experience
Author: Jean François Augoyard, Henry Torgue
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773576916
Pages: 237
Year: 2014-06-22
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners.
Listening to War
Author: J. Martin Daughtry
Publisher: Oxford University Press
ISBN: 0199361525
Pages: 320
Year: 2015-09-01
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To witness war is, in large part, to hear it. And to survive it is, among other things, to have listened to it--and to have listened through it. Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq is a groundbreaking study of the centrality of listening to the experience of modern warfare. Based on years of ethnographic interviews with U.S. military service members and Iraqi civilians, as well as on direct observations of wartime Iraq, author J. Martin Daughtry reveals how these populations learned to extract valuable information from the ambient soundscape while struggling with the deleterious effects that it produced in their ears, throughout their bodies, and in their psyches. Daughtry examines the dual-edged nature of sound--its potency as a source of information and a source of trauma--within a sophisticated conceptual frame that highlights the affective power of sound and the vulnerability and agency of individual auditors. By theorizing violence through the prism of sound and sound through the prism of violence, Daughtry provides a productive new vantage point for examining these strangely conjoined phenomena. Two chapters dedicated to wartime music in Iraqi and U.S. military contexts show how music was both an important instrument of the military campaign and the victim of a multitude of violent acts throughout the war. A landmark work within the study of conflict, sound studies, and ethnomusicology, Listening to War will expand your understanding of the experience of armed violence, and the experience of sound more generally. At the same time, it provides a discrete window into the lives of individual Iraqis and Americans struggling to orient themselves within the fog of war.
The Oral History Reader
Author: Robert Perks, Alistair Thomson
Publisher: Routledge
ISBN: 1317371321
Pages: 722
Year: 2015-11-19
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The Oral History Reader, now in its third edition, is a comprehensive, international anthology combining major, ‘classic’ articles with cutting-edge pieces on the theory, method and use of oral history. Twenty-seven new chapters introduce the most significant developments in oral history in the last decade to bring this invaluable text up to date, with new pieces on emotions and the senses, on crisis oral history, current thinking around traumatic memory, the impact of digital mobile technologies, and how oral history is being used in public contexts, with more international examples to draw in work from North and South America, Britain and Europe, Australasia, Asia and Africa. Arranged in five thematic sections, each with an introduction by the editors to contextualise the selection and review relevant literature, articles in this collection draw upon diverse oral history experiences to examine issues including: Key debates in the development of oral history over the past seventy years First hand reflections on interview practice, and issues posed by the interview relationship The nature of memory and its significance in oral history The practical and ethical issues surrounding the interpretation, presentation and public use of oral testimonies how oral history projects contribute to the study of the past and involve the wider community. The challenges and contributions of oral history projects committed to advocacy and empowerment With a revised and updated bibliography and useful contacts list, as well as a dedicated online resources page, this third edition of The Oral History Reader is the perfect tool for those encountering oral history for the first time, as well as for seasoned practitioners.
The Good Research Guide
Author: Martyn Denscombe
Publisher: McGraw-Hill International
ISBN: 0335220223
Pages: 349
Year: 2007-05-01
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As a best-selling introductory book on the basics of social research, The Good Research Guide provides an accessible yet comprehensive introduction to the main approaches to social research and the methods most commonly used by researchers in the social sciences. This edition has been updated to account for recent developments in the field such as: The emergence of mixed methods approaches Increased use of internet research More frequent use of methods such as triangulation and focus groups Developments in research ethics Written for anyone undertaking a small-scale research project, either as part of an academic course or as part of their professional development, this book provides: A clear, straightforward introduction to data collection methods and data analysis Explanations of the key decisions researchers need to take, with practical advice on how to make appropriate decisions Essential checklists to guide good practice This book is perfect for the first-time researcher looking for guidance on the issues they should consider and traps they should avoid when embarking on a social research project.
Why You Hear what You Hear
Author: Eric Johnson Heller
Publisher: Princeton University Press
ISBN: 0691148597
Pages: 590
Year: 2013
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Why You Hear What You Hear is the first book on the physics of sound for the nonspecialist to empower readers with a hands-on, ears-open approach that includes production, analysis, and perception of sound. The book makes possible a deep intuitive understanding of many aspects of sound, as opposed to the usual approach of mere description. This goal is aided by hundreds of original illustrations and examples, many of which the reader can reproduce and adjust using the same tools used by the author (e.g., very accessible applets for PC and Mac, and interactive web-based examples, simulations, and analysis tools will be found on the book's website: whyyouhearwhatyouhear.com.) Readers are positioned to build intuition by participating in discovery. This truly progressive introduction to sound engages and informs amateur and professional musicians, performers, teachers, sound engineers, students of many stripes, and indeed anyone interested in the auditory world. The book does not hesitate to follow entertaining and sometimes controversial side trips into the history and world of acoustics, reinforcing key concepts. You will discover how musical instruments really work, how pitch is perceived, and how sound can be amplified with no external power source. Sound is key to our lives, and is the most accessible portal to the vibratory universe. This book takes you there. The first book on sound to offer interactive tools, building conceptual understanding via an experiential approach Supplementary website (http://www.whyyouhearwhatyouhear.com) will provide Java, MAX, and other free, multiplatform, interactive graphical and sound applets Extensive selection of original exercises available on the web with solutions Nearly 400 full-color illustrations, many of simulations that students can do
Business Research
Author: Jill Collis, Roger Hussey
Publisher: Macmillan International Higher Education
ISBN: 1137037482
Pages: 376
Year: 2013-11-29
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A practical, concise, straightforward guide. Covering the entire process from reviewing the literature to writing up results, it has balanced coverage of quantitative and qualitative methods and a popular troubleshooting section. It provides all the tools needed to embark on and complete successful research, underpinned by academic rigour.
The Third Ear
Author: Joachim Ernst Berendt
Publisher: HarperElement
ISBN: 1852300493
Pages: 234
Year: 1988
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Sensory Biographies
Author: Robert R. Desjarlais
Publisher: Univ of California Press
ISBN: 0520235886
Pages: 396
Year: 2003
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Explores the life histories of two Yolmo elders, focusing on how particular sensory orientations and modalities have contributed to the making and the telling of their lives.
In the Blink of an Ear
Author: Seth Kim-Cohen
Publisher: Bloomsbury Publishing USA
ISBN: 1441183078
Pages: 296
Year: 2009-07-01
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An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itself-or as the unwanted child of music-artist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm. Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenberg's media-specificity with a phenomenological emphasis on perception. Subsequently, the "sound-in-itself" tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound's expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological. Artists discussed include:� George Brecht John Cage Janet Cardiff Marcel Duchamp Bob Dylan Valie Export Luc Ferrari Jarrod Fowler Jacob Kirkegaard Alvin Lucier Robert Morris Muddy Waters John Oswald Marina Rosenfeld Pierre Schaeffer Stephen Vitiello La Monte Young
Consequences of Phenomenology
Author: Don Ihde
Publisher: SUNY Press
ISBN: 1438407475
Pages: 222
Year:
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Echoing Richard Rorty’s earlier Consequences of Pragmatism, this collection begins with an essay on “Phenomenology in America: 1964-1984,” and concludes with a “Response to Rorty, or Is Phenomenology Edifying?” In between, the differences in the philosophical habits and practice of Anglo-American and Euro-American philosophers are examined and a reformulated, non-foundational phenomenology is sketched as a new direction responsive to the current situation in American philosophy. Don Ihde considers perception, technics, and contemporary Continental thinkers such as Jacques Derrida, Hans Georg Gadamer, Michel Foucault, Ortega y Gassett, and Paul Ricoeur.